I really could care less about Anthony Weiner - or any of the other
similarly "disgraced" members of the NY Congressional delegation over the past few years. Like me and many others, these people have personal foibles. That does not make them heinous. But neither does it mean that an orchestrated media campaign is sufficient to restore some presumed privilege or right to a place in public life. Weiner is best known for a personal train wreck; how does he parley that into political office? Why not get a job, be thankful that you have a smart, talented, attractive woman in your life - despite your best efforts - and a sweet son to raise? That would be a great life.
What initially caught my eye here and made me pay attention to this story
- in which The Times
is playing its duly appointed role in Weiner's PR campaign - is that the editors have placed Huma Abedin center stage in the cover photo. And, of course, who better to document this blurring of personal and public than Elinor Carucci
, a photographer who is a master of that fatuous genre.
Labels: Caruccci, politics, Public Space