12 November 2012

On Veteran's Day

"Dedicated to the Deserters of All Wars"
Nikolaus Kernbach, Stuttgart, Germany 2007.

 For the Unknown Deserters 
 Designed by Mehmet Aksoy, Potsdam Germany (1989).

 
Memorial to Unknown Deserters
Hannah Stuetz Menzel (1989/2005), Ulm, Germany.

I am not a pacifist. But I also suspect that most wars are unnecessary and doubt that even the truly unavoidable ones are justifiable. So, on this day when we are meant to be honoring Veterans - those given honorific status for having fought in wars - I want to note some discordant memorials. These all are in Germany. And there, of course, many people have a deep sense that their country perpetrated an especially heinous war. It is difficult not to agree. But, as the saying goes, 'He who is without sin should cast the first stone.' Do we need to feel the need to atone for crimes on the scale of the Nazis in order to wonder whether those who simply turn and walk away might not be taking an heroic stance?
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P.S.: I was prompted to track down these memorials - and several others - by reading James Scott. 2012. Two Cheers for Anarchism. Princeton UP. Overall, the book is not as provocative as I'd anticipated. But it raises a set of smart questions.

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07 April 2012

MEMORIAL TO THE ABOLITION OF SLAVERY – NANTES

Late last month this memorial was dedicated in Nantes - by far the most significant port in the 18th and 19th century French slave trade. The project commemorates the Abolition of the Slave Trade. The site was designed by architect Julian Bonder and artist Krzysztof Wodiczko (about whom I've posted here several times).

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12 January 2008

Monuments and Politics

Santa Cruz del Valle de los Caídos, the Valley of the Fallen.
Photograph © Alvaro Lobo Felgueroso for
The New York Times.

In The New York Times today is a nice article by Michael Kimmelman on the controversy surrounding memorials to the late, unlamented Spanish Dictator Francisco Franco. The article is accompanied by this slide show. As Kimmelman makes clear, Franco's Fascist Falange Party and its bloody legacy in many ways represented a Catholic reaction to the modern, more secular, more liberal trends they saw in the Spanish Republic. Part of the problem is that, for some Spaniards at least, the dead General is not exactly unlamented. Another part of the problem is that apparently there has been very little explicit, public reckoning with the past in Spain. Against that background, recent legislation has mandated that all memorials to Franco be removed and allows families to disinter and re-bury relatives who had died in the Civil War. At many sites (like Santa Cruz del Valle de los Caídos where Fascists and Republicans are buried together) this latter prospect obviously poses considerable difficulty.

The current political situation in Spain is but one example of such wrestling over history and memories, collective and individual. Effort to erase the past are troubling. In the first place they, often inadvertently, have the effect of covering over massive criminal acts. And they also encourage future cycles of re-writing. (As Kimmelman notes: "
Survivors build monuments to remember the dead, and tear down the statues of the tyrants who killed them, but mostly in vain. Statues and memorials inscribe history, which each generation rewrites to suit itself.")

On these matters I would recommend two really terrific books, one by a lawyer, the second by an anthropologist - Sanford Levinson's Written in Stone: Public Monuments in Changing Societies (Duke UP, 1998) and Katherine Verdery’s The Political Lives of Dead Bodies (Columbia UP, 1999). Each book is grounded in specific cases - Levinson focuses on Confederate Monuments in the American south and Verdery on Post-Communist countries after the fall - and both are remarkably sensitive to the politics involved.

I have to say that I agree with Kimmelman's conclusion:
But legislating [the removal of] monuments doesn’t rectify injustices of the past, it just fumbles with the symbols of history, reminding us why we devise them in the first place. Ultimately monuments gain meaning when we imbue them with it, otherwise they join the statues of cruel monarchs and bloody generals that have become the civilized backdrop to our parks and plazas.
Monuments are like symbols and the cultures they demarcate more generally. They have meaning only so long as we invest them with it and that process is necessarily contested and conflictual. The difficulty is how, in particular places at particular times, different groups address such conflicts of meaning. My own view is that that is part of the value of democracy.*
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* James Johnson. 2000. “Why Respect Culture?” American Journal of Political Science 44(3): 405-18.

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14 October 2007

Brits Plan Ahead

Lichfield, England, October 12 2007: Today saw the
official dedication of the armed forces memorial by The
Queen. The memorial honours people killed on duty or
as a result of terrorist action since the end of the second
world war. The names of 16,000 members of the armed
forces are carved into the memorial.
There is room for another 15,000 to be added.
Photograph: © Tim Rooke/Rex Features.

This is the first image and opening caption from this photo-essay published in The Guardian last week. The memorial evinces a sense of morbid anticipation, being not just a monument to those who already have died, but foresight of deaths yet to come.

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